Appeal
Text
Worldwide reading of Eliot Weinberger's "What I Heard about Iraq"
Worldwide reading of Eliot Weinberger's "What I Heard about Iraq" on 20th of March 2006
The Peter Weiss Foundation for Arts and Politics based in Berlin is sending out an appeal to commit 20th of March (the third anniversary of the beginning of the war in Iraq) as an Anniversary of the Political Lie. The purpose of the events and activities linked to this day should be to heighten awareness about contents and forms of political communication and to expose and criticize the political lie - academically, artistically or in form of caricatures. Since the beginning of the 21st century it is evident that the lie still belongs to the standard set of certain political movements, it has to be made clear at the same time, that the forces which oppose it do not yield. The first Anniversary of the Political Lie will be held on 20th of March 2006 in different cities worldwide and among other events with readings of Eliot Weinberger's "What I Heard about Iraq."
The text is a collage of the statements made by American administration officials and their allies leading up to the war, and then, after the war began, of these same officials, as well as American soldiers and ordinary Iraqi citizens. It is a history of the Iraq war in "soundbites," from 1992 to January 2005. After its publication in the London Review of Books, the text was the most-visited article ever on the magazine's website, and was reproduced or linked on some 100,000 other websites. It has been translated in many languages. A sequel, "What I Heard about Iraq in 2005," was published by the LRB at the end of 2005. See both texts at www.literaturfestival.com.
Last year, a dramatic reading of "What I Heard about Iraq" was held at the Berlin festival on September 11. Other independent readings have been held in Sydney, New York, Luxembourg, India, and various other parts of the world. A multimedia stage adaptation has been running in Los Angeles for some months.
This appeal has been signed by:
Chris Abani, USA/ Nigeria; Ali Abdollahi, Iran; Alireza Abiz, Iran; Darryl Accone, South Africa; David Albahari, Serbia/Canada; Tariq Ali, UK; Hanan al-Shaykh, Lebanon/ UK; Esther Andradi, Argentina/ Germany; María Teresa Andruetto, Argentina; Gunter Arentzen, Germany; Homero Aridjis, Mexico; Michael Augustin, Germany; Paul Auster, USA; Gabeba Baderon, South Africa; Bei Dao, USA/ China; Biyi Bandele, UK; Russell Banks, USA; Shabbir Bannobhei, South Africa; Mohammed Bennis, Morocco; Abbas Beydoun, Lebanon; Régis Bonvicino, Brazil; Gayle Brandeis, U.S.A.; Volker Braun, Germany; Martha Brooks, Canada; Peter Cole, Israel/ USA; Bora Cosic, Serbia/ Croatia/ Germany; Edgardo Cozarinsky, Argentina/ France; Mahmoud Darwish, Palestine; Lydia Davis, USA; Siddhartha Deb, India/ USA, Ariel Dorfman, Chile/UK; Moro Douka, Greece; Arkadii Dragomoshchenko, Russia; Barbara Evans, USA; J.Glenn Evans, USA; Raymond Federman, USA; Inge Feltrinelli, Italy; Betty Ferber, USA/ Mexico; Forrest Gander, USA; Geoffrey Gardner, USA; Jochen Gerz, France; Amitav Ghosh, USA/ India; Juan Goytisolo, Spain; Nedim Gürsel, Turkey; Ulla Hahn, Germany; Hannes Heer, Germany; Elke Heidenreich, Germany; Christoph Hein, Germany; Adina Hoffman, Israel/ USA; Eckard Holler, Germany; Rebecca Horn, Germany; Iman Humaydan Younes, Lebanon; Siri Hustvedt, USA; Victor Jerofejew, Russia; Mario Jursich, Colombia; Achmed Khammas, Syria; Henry-Martin Klemt, Germany; Margrit Klingler-Clavijo, Germany; Ko Un, Korea; Ekkehart Krippendorff, Germany; Hanif Kureishi, UK; Bernhard Lassahn, Germany; Doris Lessing, UK; Simon Levy, USA; Srecko Lipcovan, Croatia; Claudio Magris, Italy; Aurelio Major, Spain; Abdelwahab Meddeb, France/ Tunisia; Valerie Miles, Spain; Tedi López Mills, Mexico; Adrian Mitchell, UK; Ivan Nagel, Germany; Emine Sevgi Özdamar, Germany/ Turkey; Michael Palmer, USA; Orhan Pamuk, Turkey; Anna Panek, Germany/ Poland; PEN, Bosnia and Herzegovina; PEN, Germany; Harold Pinter, UK; Roberto Piumini, Italy; Elisabeth Plessen, Germany; Eva Quistorp, Germany; Jürgen Reents, Germany; Adrienne Rich, USA; Peter Ripken, Germany; Alberto Ruy-Sánchez, Mexico; Boualem Sansal, Algeria; Alka Saraogi, India; Peter Schneider, Germany; Thomas Schwarz, Germany; Aharon Shabtai, Israel; Theron P. Snell, USA; Wolf-Dieter Sonnenburg, Germany; Ersi Sotiropoulos, Greece; Roland Stelter, Germany; Nathaniel Tarn, USA; Ana Paula Tavares, Angola; Stevan Tontic, Bosnia and Herzegovina; Peter Torberg, Germany; Jutta Treiber, Austria; Tenzin Tsunde, Tibet/ India; Nicanor Vélez, Colombia/ Spain; Verband Deutscher Schriftsteller, Germany; Spiros Vergos, Greece; Cecilia Vicuña, Chile/ USA; Mphutlane Wa Bofelo, South Africa; Abdourahman A. Waberi, Djibouti/ France; Anne Waldman, USA; Najem Wali, Iraq/ Germany; Sigurd Wendland, Germany; Eliot Weinberger, USA; Jeanette Winterson, UK; Yang Lian, NZ/ UK/ China;Jabbar Yassin Hussin, Iraq; Barry Yourgrau, South Africa/ USA; Peter Zadek, Germany; Beate Ziegs, Germany
Readings on 20th of March, 2006:
Albany (NY), Theatre 88; Amsterdam, Theaterworks Amsterdam; Athens, Theater of Neos Kosmos; Baltimore, Center Stage; Basel, Theater Basel; Berlin, Sophiensæle; Calcutta, Trtiyo Sutra & Eisenstein Cine Club; Durban, Time of the Writer Festival; Everett, Washington Poets; Frankfurt a.M., schauspielfrankfurt; Frankfurt a.O., H.M. Klemt; Houston (Texas), Code Pink and Voices Breaking Boundaries and Pacifica's LivingArt; Indianapolis, Phoenix Theatre; London, Voices in the Wilderness & London Review Bookshop; Los Angeles, Fountain Theatre; Luxembourg, Theatre du Centaure; Magdeburg, Studio im Schauspielhaus; Maui (Hawaii), Maui Booksellers; Melbourne, La Mama Theatre & Reading For Peace; New York, Sienna College; Nicosia, Theater ENA, Alpha Square and Rooftop Theatre Group; Northridge, CSU Northridge; Portland, Portland Stage Co.; Purchase (NY), Manhattanvillecollege; Prague, Divadlo Komedie; Rome, isolapedonale; San Francisco, Bird and Beckett Books and Records; Santa Barbara, Dramatic Women; Santa Maria, Pacific Conservatory of the Performing Arts; Seattle, PoetsWest & Trinity Methodist Church; Sydney, Sydney Moving Image Coalition; Tuscon (Arizona), Lyric Arts; Washington D.C., Playhouse; Venice (California), Our Voice in the Wall; Zurich, Theater am Neumarkt and in other cities.